Time for a little side trip into the wonderful world of film scores.
If you have not seen The Mission, I highly recommend it. It is not a great film, but it is a very good one; there’s a couple of plot points that could’ve been explained better, but it features fierce performances by Robert DeNiro and Jeremy Irons. (To be honest, it is on my short list of movies that actually could’ve stood to have been a little longer.) The score was done by Ennio Morricone, a marvelous composer and one of the great names in entertainment history.
I’m not entirely sure if I can describe what this music does to me. It is simultaneously heart-wrenching and uplifting. Although I flash on the film whenever I hear it (and knowing what happens in the film does influence my reaction), I am transported to someplace else whenever I hear this. Especially the refrain of “The Falls.” It begins as a series of notes played solo on what sounds like a wooden flute, then swells at the end into full orchestra. I feel some unnameable thing–it is joy and despair, blessing and curse, falling and flying. For the time it is playing, I believe in miracles.
“Vita Nostra” is another track that strongly moves me. “Vita Nostra,” for anyone who doesn’t know their Latin, means “Our Life.” It occurs several times in the score, a reminder that the lives of the priests and natives are at odds with the rest of the world. Their only concern is to protect their home in the rainforest, to live a life that is righteous. It has always seemed to me like an accusation of the world, of the greed and corruption that spells the mission’s doom (oops, that was a bit of a spoiler). I like the way the voices bite off each word, snipping and sniping without quite crossing the invisible line of insurrection.
These are just two of my favorite moments from a sublime musical experience. Please experience the whole thing for yourself. And it’s good even if you don’t see the film.